
Heritage
Designated Properties

This
is the
plaque
that goes on the front of your building when you designate
 
An
interesting
item that appeared in the Petrolia Topic about Heritage Designation to
present the facts & an Editorial by David Pattenaude of the
Petrolia
Topic.
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What
about the issue of designating against an owners will. Sometimes to
protect a significant structure or artefact from demolition
drastic measures are required. Some citizens say that this should not
be done and others aggressively ask us what are we going to do to
protect that building? What do we do? What Cathedral in Europe would
you rip down? Should we demolish Stonehenge? Should the
Italians rip down the Coliseum? What about the Parliament Buildings in
Ottawa? Each City and town has buildings and artefacts
equally significant to them and designation to protect these
monuments is bigger and more important than any owner of them.
Here
are
some links to similar situations
http://www.udiontario.com/issupd/upd050422b.htm
http://www.northronces.com/northroncesblog/?m=200606
http://ontarioheritageconnection.org/live/main.php?page=news.200709_e.html
http://www.cobourg.ca/lacac/designation.html
http://sookesoapbox.com/viewtopic.php?f=3&t=14
http://lfpress.ca/cgi-bin/publish.cgi?x=articles&p=197395&s=politics
http://www.yukoncollege.yk.ca/~agraham/papers/hrbpaper.htm
________________________________________________
COME TO THE LEVEE
AT VICTORIA HALL
JANUARY 1st 2008 1PM
Till 3PM
Displays and refreshments
Once again the Levee was
a complete success
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The POSTCARD SHOW AT PETROLIA LIBRARY
SATURDAY JULY 28 1-5pm was a
complete and utter success !
Many people came to look at and hold the thousands of Petrolia and area
postcards.
There was a steady crowd all
afternoon.The Burrwell, Bradshaw, Privett,
Maitland, Park and many other
collections were on display. Thank you so much to everyone that
displayed their collections and to those who came to look.

Counciler Mary Pat Gleeson
looking at some of the Burrwell collection


James Maitland leafs through the
Privett collection

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Your Editor was
recently presented the Ontario Heritage Award at Town Council by the
Mayor , Council & Heritage committee. Since the award is for the
work done on this website the award has been posted here for all to
see. Congratulations PH.com.from left the amazing Jean Bradshaw,
councilor Liz Welsh, Your editor, Mayor John McCharles
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These
are some of our Heritage Designated properties. More of these will
appear
in time.
VICTORIA
HALL
Victoria
Hall,
Petrolia, is a national historic site, a provincially designated
heritage
building and a cultural center for Lambton County. In January,
1989,
on the even of its centenary, Victoria Hall was tragically gutted by
fire
leaving only its massive brick walls intact.
As a
late 19th
century public building, Victoria Hall is a very fine example of the
Queen
Anne style,designed by its leading Canadian exponent, architect George
F. Durand. Durand, who was born in nearby London in 1850, came
from
a family of builders and had worked as a young architect on both the
Parliament
Buildings in Ottawa and the New York State Capital buildings. The
building which Durand created as Petrolia’s Town Hall, exhibits a
lightness of touch in the detailing and ornamentation. The added
exuberance of Durand’s design for Victoria Hall, Petrolia, was perhaps
inspired by the challenge of combining in one building, not only
the municipal offices, but also the police station and the fire
hall.
The entire second floor was given over to an opera house.
While
Victoria
Hall is important architecturally on both a regional and national
scales,
its designation as a national historic site was made for reasons other
than the merits of its architectural style. Victoria Hall
represents
the culmination of three decades of achievement in Canada's early
industrial
development. |
4189
Petrolia
Street (The Old Post Office)
Reasons
for Designation
(March 10, 1997)
Historical
Reasons:
Constructed
during
a period of expansion and growth in the community of Petrolia, this
structure
was built under a Federal commission awarded to the architect, Thomas
Fuller
of London, Ontario from a design he had submitted. As a result of being
awarded this government contract, a number of similar structures built
during this same period can be found in towns throughout southwestern
Ontario.
Original
design
called for the Post Office and Offices of the Inland Revenue and
Customs
on the main floor, the residence of the Postmaster on the second, and
the
residence of the caretaker above that on the third. An annex on the
south
side of the building housed an examining warehouse for Customs purposes
and for the collection of Provincial and Federal taxes. In later years
the second story was converted to office space and only the caretaker
continued
to live on the premises. Following World War One, one of the small back
rooms was taken over and used as a “Militia Room”. The Petrolia Legion
also used space in this building until moving to its new facilities on
King Street.
The
structure
served as Petrolia’s Post Office from 1894 to 1964 at which time new
facilities
were built and the Post Office operations were relocated. The contract
for construction of the old Post Office was signed under the direction
of the Department of Public Works in January of 1892 and the premises
became
functional in the spring of 1894. Joshua Garrett of Petrolia was the
principal
contractor. From 1964 to the present a number of commercial
establishments
have operated on the premises.
Architectural
Reasons:
This
structure
was built to reflect a “Romanesque” style of architecture. It is one
that
is uniquely North American, and made popular by the American architect,
H.H.Richardson. One of the prominent features of this style is the bold
use of masonry and what has been termed the “Romanesque Arch” (round
headed
arches over doors and windows). The use of rough cut stone and red
brick
were popular building materials used in this style of construction as
well
as the use of smooth, wide brackets under the eaves. Buildings
constructed
in this manner projected a sense of heaviness and solidity, and the old
Petrolia Post Office is an excellent example of this style. Romanesque
remained popular until the late 1800’s when it eventually merged with
other
architectural styles of the late Victorian period.
|
4211-4213
Petrolia
Street (McKay Block)
Present
owners-Horst Richter
Reasons
for designation
(August 14, 1989)
Historical
reasons:
Built
in 1887,
the McKay Block was one of the many structures erected at this period
in
time in the aftermath of a fire, which had destroyed a considerable
portion
of the area. Donald McKay purchased the site in July of
1887,
and the building constructed at a cost of $3500.00. It remained in the
McKay family until 1905, at which time it was sold to James Peat, a
local
oil operator.
In
1962 it became
the property of Howard and Laura Spies. Establishments have included
the
Oliver Brothers, who were house, sign, and carriage painters in the
ca.1890s,
D.G. Cuthbertson and Co. chemists and druggists, and furniture outlets,
such as Howards and Capri. Present owners, Vince and Ariel Lyons,
operate
Bear Creek Studios from the premises. An interesting feature, from a
historical
point of view, is the graffiti located in rooms beneath the stairways
on
the main floor. Hundreds of individuals over the years have left their
names, dates, and places of origin. They span a period of time from the
date of construction, 1887, to the present, and mention localities such
as Allegheny, Pennsylvania, and Cuyahoga Falls, Ohio, are identified.
Architectural
reasons:
Row,
related
and Italian ate in design, the McKay Block is of two-story stretcher
bond
construction. Minor alterations at street level to the door and window
areas have been made, but the intent of the original image has been
maintained.
The façade on the second story is original and apparently
untouched.
This includes recessed panels, decorative brick and pediment, and a
gabled
parapet with date stone. The main windows in this area are arch
radiating
voussoirs with keystones.
|
359 Garfield
Ave. – The Farm House
Present
owners
– Gordon and Bonnie Parsons
Reasons
for designation
– April 27, 1992
Historical
reasons
Robert
C. Marwick
purchased the property from Frank Smith, in 1888. Robert, a local
machinist, and his wife Catherine, constructed 359 Garfield in 1890, as
rumor goes, from two houses from the Pitthole – a group of houses from
the Blind Line at the bridge. This is probably true, as the main part
of
the house has clapboard siding 4” wide, while the porch side has 5”
siding,
thus indicating two separate dwellings.
In
1902, Mr. Marwick
sold the house to Catherine for $1.00, with love, and subsequently
passed
away. In 1911, she married Tom Tomlinson. The property changed hands
several
times. In 1922, Rev. Peter McEachern and his wife, Ada, purchased the
property.
In 1935, he sold it to Ada for $1.00, prior to his passing. Rev.
McEachern and Ada had a son, Malcolm, who was handicapped. It is
presumed,
that when his mother passed away in 1950, Malcolm was sent to an
institution
in Hamilton, where he lived until he passed away in 1989.
In
1950, Ed Fletcher
purchased the property after Ada’s passing. The house remained empty
for
some time. Evidence of squirrel occupancy during this time may still be
seen to this day. In 1951, William G. and Gladys Parsons purchased the
property. They are now deceased and were the parents of the present
owners,
Gordon and Bonnie Parsons.
Architectural
reasons:
359
Garfield
Avenue is an example of Victorian Gothic Revival, typical in the area,
with a two-story high gable roof with decorative barge board. Classical
columns support a full open verandah and the cornice box is frieze
decorated.
The bay window and vestibule feature cornices with frieze and brackets.
Another feature is the restored cedar shingle roof with finial. The
exterior
features the original V-joint tongue and groove wood siding.
|
4343
Petrolia
Street (East End Fire Hall)
Present
owner-Jeff
Ditmars
Reasons
for Designation
(June 9th, 1975)
Historical/Architectural
reasons:
The
East End
Fire Hall is the oldest brick structure in the East End of Petrolia. It
was built in 1889 during the early days of the oil boom, and was also
known
as the “Old Boy’s Fire Hall”. The fire hall has been designated
under
the Heritage Act by the province of Ontario. The building can boast a
colorful
history as one of the towns three local fire companies in the 1880’s.
During
this time the three fire halls battled to extinguish the local blazes.
The first company to reach the fire was paid one dollar regardless of
whether
the fire was put out or not. On many occasions the firemen would duke
it
out on the street while the fire burned itself out.
The
East End Fire
Hall closed as an active fire hall around 1920 and in 1950 was
purchased
by Robert Fairbank to be converted into apartments. It was later resold
to Sarnia developers in the 1960’s who planned to demolish the fire
hall.
Three years later, the Sarnia owners were faced with an ultimatum from
the town of Petrolia, clean up or sell. Later it became a private
residence while the exterior has been maintained almost exactly the way
it was in 1889. The building is an excellent example of late 19th
Century
functional architecture.
|

4230
Petrolia
Street (International Order of Oddfellows Friendship Lodge #65 –
The Oddfellows’ Hall)
Reasons
for designation:
February 13, 1984)
Historical
reasons:
The
site originally
included frame buildings and one of them was leased to the I.O.O.F.
#65,
beginning in 1881. By 1888 the I.O.O.F. decided to construct a
three-story
hall and store on the site, and on July 20th contracts were signed with
various tradesmen for the present building. By the end of 1888,
the
Oddfellows’ Hall was completed, and the formal dedication took place on
January 28, 1889, with the Rev. N.H. Martin P.G.M., Grand Lodge of
Ontario
officiating. The Oddfellows’ Hall has continued to operate in the town
of Petrolia, and its activities are a chronicle of the events of the
community
and its members have played a significant role in social and economic
growth
of the town for over 100 years.
Architectural
reasons:
The
Oddfellows’
Hall is an example of Italianate Commercial style, which was very
popular
for main streets during Victorian times. The dominant cornice and round
headed windows are typical features of that style. The architect, Isaac
Erb, had added details that appear in other buildings of this design.
These
include the decorative classical pediment over the west doors and the
use
of the cast iron columns, again, of classical motif. Repeating the
floral
pattern in the keystones and using the recessed entry with large
expanses
of glass to create display space and shelter achieved harmony with
other
main street buildings. The colored glass of the upper story windows is
a very attractive feature. The two story interior hall is also
impressive.
The Oddfellows’ Hall is an important local example of the work of Isaac
Erb, and a tribute to the craftsmen of Petrolia in the nineteenth
century.
|
4200
Petrolia
Street - Petrolia Public Library
Reasons
for designation
(April 30, 1975)
Historical
reasons:
The
Grand Trunk
Railway constructed the depot after the town built the railway. On
January
23, 1923 the Grand Trunk railway amalgamated with the Canadian National
Railway. The station continued to be used as a depot until railway
services
were discontinued in 1930. For the next seven years the depot served as
a civic centre, playing hostess to dances, socials, and town meetings.
The station's transformation into a library is probably the first
example
of railway station being preserved for an appropriate use. The C.N.R.
agreed
to lease the building to the town of Petrolia for an annual fee of
$125.00.
On
September 18,
1961, the C.N.R. sold the property to the town for $1.00. March 15,
1937
marked the opening of the new Petrolia Library. The Lions Club
sold
300 – 400 memberships for one dollar each in its first two weeks of
operation.
Before its establishment in the railway station, the library had a
variety
of homes. Churches provided library facilities for their Sunday school
children. Other townspeople formed literary societies and reading
groups
to satisfy their literary needs. The Hospital Guild members donated
books
and set-up a distribution center in 1927. Books were housed in the
Union
Gas office, a candy store, and later, at Mrs. Sterne’s flower shop,
until
their relocation to the railway station.
Today,
the library
stands as a monument to the extravagance and pretentiousness of the oil
boom era, while providing an excellent center for children's programs,
art classes, reading and research facilities for the people of Petrolia
and area.
Architectural
reasons:
The
Petrolia
Public Library distinguishes itself as one of the most superb examples
of early railway architecture. Its styling reflects the eclectic Queen
Anne features which were popular during its time of construction in
1903.
The structure boasts two turret rooms, the west end turret housing a
ladies’
waiting room, and the east end turret a gentlemen's waiting room. They
were furnished with dark leather upholstered seats that followed the
curve
of the walls. The rooms were originally gas lighted, but were later
replaced
with electric light fixtures, which still illuminate the turret rooms.
The beveled glass windows, pine floorboards, and slate roof are still
architectural
facets of the former railway station.
|
4058
Petrolia
Street
Present
owners
Jim and Brenda Gerber
Reasons
for Designation
(Sept. 9, 1991)
Historical
reasons:
Built
in 1893,
the property was owned by Patrick and Margaret Barclay. Patrick was
Petrolia’s
first postmaster, who originally built and lived in the old post office
in the east end of Petrolia. Barclay was one of the four men who gave
Petrolia
its name in 1861. In 1893 the property was sold to Victoria and
Alexandrina
Clark, who only a few months later sold it to John McAlpine, an oil
operator.
It
stayed in the
McAlpine family until 1925, when it was sold to John H. Fairbank, the
eldest
of four brothers. On John’s death the estate was eventually sold to
Maurice
and Ida Fisher in 1944. In 1958, the Fishers sold it to John and
Isabella
McLeod, who in turn, sold it to Glen Francis later the same year, and
finally
to James and Valerie Cassin in 1960. James Cassin occupied the house
for
twenty-seven years, and sold it in 1987 to John and Rebecca
MacLachlan.
Architectural
reasons:
4058
Petrolia
Street is a three story Victorian home, constructed of red pressed
brick,
which is rare in this area. The home has Italianate influences. The
south
façade features a low gable with wide returned eaves, which are
decorated with a wooden frieze and detailed brackets. Originally, a
beautifully
ornate porch enhanced the façade of this home. A transom of
colored
glass graces the front entrance. The home has flat windows and
flat
roofed bay windows on the east and west side.
|
 
2 early pics
of this house
4074
Petrolia
St. (Present owners- Mr. & Mrs. Peter Davey)
Reasons
for designation
(March 25, 1985)
Historical
reasons:
Samuel
Stokes
was born in Sarnia in 1848. He settled in Petrolia in 1866, the
year
it achieved village status. The “boy boss” of a construction crew,
built
underground tanks for the fledgling oil industry, and later,
established
himself as a contractor for a new company, which would become Canada’s
largest oil corporation, Imperial Oil. He became an oil operator,
and invested in the Wagon Works Plant, and the Pork Packing
Plant.
In 1891, he worked on the construction of the St.Clair Tunnel.
At
various times,
Samuel Stokes was a town councilor, a deputy reeve, a county councilor
and school trustee. His wife, Margaret, was also active in community
service,
and the local chapter of the IODE was named after her. One of his
children,
John, went to California as an oil driller. The history and
growth
of the Stokes family paralleled the development of the town.
Architectural
reasons:
Samuel
Stokes
had the house constructed in 1883. It illustrates many of the
architectural
features of the period. A steeply pitched roof, gables decorated
with intricate barge board, verandahs crested in iron, and a front
gable
dormer with “gothic window” are particularly noteworthy. The
yellow
brick exterior is of “stretcher bond” design, and two chimneys include
decorative brick details. Tall narrow windows and slender ionic
style
columns emphasize the vertical proportions of the Gothic Revival. This
house is one of very few brick examples of this once very popular
architectural
style.
|
429
Ella Street
LANCEY HALL
(
owners-Martin
and Dorothy Dillon)
Reasons
for designation
(February 13, 1984)
Historical
Reasons:
The
Ella street
property was developed and surveyed by Henry Warren Lancey, who named
the
street after his daughter. Mr. Lancey was a prominent surveyor,
builder
and entrepreneur who played an important role in the history of
Petrolia.
The original occupant was Lemuel Cole, an important oil operator who
lived
in the house from 1876 until 1880.
After
a short
period of ownership by Elisah H. Pinery, a local merchant, from 1880
until
1882, it was sold to Robert Morris, a respected banker, whose family
lived
in the house until 1905. Between 1905 and 1940 it was the property of
Albert
Jones, an Ontario land surveyor. During the Second World War, it became
the home of Clara Fairbank Ranney, widow of the distinguished Dr.
Charles
Oliver Fairbank. In 1948 Adam Paton Robertson, manager of Detroit
Gasket,
purchased it. For over one hundred twenty years, 429 Ella Street has
occupied
its site overlooking Crescent Park.
Architectural
Reasons:
429
Ella Street
is an excellent example of Victorian Gothic Revival, a style that was
most
popular in Canada in the period 1850 to 1870. It has retained its
original
wood façade (east, front view). The decorative details include
intricate
barge boards, a sharply pitched roof with finials and pendants at the
peaks,
and an exceptionally fine glassed verandah/conservatory with ogee
patterned
panes. The façade also features a bay with paired brackets and
iron
cresting. Its architectural details add interest to its streetscape and
contribute to the visual attractiveness of Crescent Park.
|
4172-4174
Petrolia
Street
Present
owners-
Ron and Diana Racher
Reasons
for designation
(August 23, 1993)
Historical
reasons:
This
site was
part of the entire block of buildings constructed for Andre Elliott, a
court clerk. Along with two other local businessmen, J.M. Williams and
W.E. Sanborn, they formed the Black Creek Plank Road Company in 1861.
Crude
oil had to be transported from Oil Springs, then known as Black Creek
or
Victoria, to the railhead at Wyoming, over an eleven mile stretch of
mud
called the canal, a ditch 18 inches below grade and five feet wide.
Above
it ran the Black Creek Road, a muddy forest trail that 73 years later
became
Highway #21. This road was impassable after the mildest rain. In dry
weather
the mud dried to a tangle of ruts so unyielding that stages and wagons
were wrenched apart. Obviously the survival of the oil industry
required
an all weather road from Oil Springs to the Wyoming railhead. By late
1862,
the Black Creek Plank Road Company graveled the road three miles south
of Wyoming, with the balance planked by early 1863. Today this building
is a Craft Store.
Architectural
reasons:
Constructed
in
1866, the building is two stories tall and of red brick construction.
Its
main feature is an ornate three sided bay window on the second floor.
The
building has Italianate influences, as seen in the arched windows. Two
groups of three windows flank the bay window. The center window of each
of these groups has stained glass over two clear lights. Metal cladding
covers the entire façade to imitate wood ornamentation,
moldings,
cornices, and windowsills. The cornices are mounted atop columns of
brick
with stone sections. The recessed center doorway is flanked with brick
columns that also have stone sections. Heavy metal clad brackets adorn
these columns and form the support for the bay window. Stone sills
stretch
across and under each of the window groups on the second floor.
|

Jake
L. Englehart
.....................................................................................................................
Charlotte
Eleanor
Englehart Hospital Board Room, 447 Greenfield St.
Reasons
for proposed
designation (Aug. 11, 1980)
Historical
reasons:
Jacob
L. Englehart,
one of Imperial Oil’s founding fathers was an important figure in the
economic
and social history of both the Town of Petrolia and the Province of
Ontario.
He built a spectacular home for his wife, Charlotte, as a wedding gift,
in 1891. The home became known as “Glenview”. It featured a large
circular turret, and extensive gardens. Glenview showcased a nine
hole golf course, a conservatory, and separate brick servants quarters.
When
Charlotte
died in 1911, she bequeathed Glenview to the residents of Petrolia, to
be used as a hospital upon Jacob’s death. Jacob Englehart decided
to vacate the home immediately, and donated the funds necessary to
finance
the operation of a new hospital. Over the years renovations and
additions
have insured a more functional facility for Petrolians. The
boardroom,
the former study, has remained intact as a tribute to Jacob Englehart.
Architectural
reasons:
Included
in this
designation are the oak woodwork, door, wainscoting, paneling,
moldings,
arches, bookshelves, the cast iron fireplace, porcelain tiled hearth,
and
stained glass piece over the fireplace, stained glass fire screen, the
lincrusta frieze around the ceiling, and the bronze plaques over the
door.
|
 |
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NEMO HALL
Below is a detail of a gargoyle that Jack has mounted on the roof.

|


These
are three great views of Nemo Hall. Notice the fence below which
is gone now. Also here is John J. Kerr the man that built Nemo Hall.
The
pic above
shows Nemo Hall today and highlights the gas lamp on the
front
lawn.

|

GRANDIS
JEWELERS
Reasons for Designation
The site itself located at 4224 Petrolia Line was
purchased in 1879 by Jared C.VanCamp and the present structure erected
in 1881. VanCamp was described as being an undertaker, cabinet builder
and furniture builder. He forged a close association with the London
Furniture Company and the premises served as an outlet for that firm
until ca.1901 at which time it was sold to Martha McGillivray. In the
ca.1940s it was the site of Frasers Variety Store, a popular local
outlet for groceries, fruits, smallwares and dresses. More recently it
was occupied by Grant’s TV. At present, the current owner, Reginald
Grandis has undertaken an extensive restoration and has opened the
family’s well-established jewellery business.
There is a local story that states that this was the
site of a nitro glycerine explosion in its early history. As the story
goes, a tenant in the second story was attempting to manufacture the
volatile substance when it exploded and did considerable damage to the
back of the building. No evidence could be found to substantiate this
story but in the course of restoration work recently, badly charred
timbers were found at the rear of the structure, indicating a major
fire at some point.
The Orange Lodge was located on the premises for a
number of years and as a result the structure itself has become known
locally as the Orange Hall.
Architectural Reasons
Architecturally this structure is very typical of
the period. Its grouping is row, non related intermediate and its
construction is two stories, rectangular with a short façade.
Brick, laid in a stretcher pattern is highlighted with decorative work,
which gives an overall pleasing appearance to the structure.
A pattern entablature runs the length of the
building between the first and second floors and is supported by
decorative concrete pillars at each end. Decorated iron columns, also
found in a number of Petrolia’s other commercial structures, flank a
recessed double door entry to the building and provide additional
support for the entablature running above. Two full-length windows
framed by four columns mentioned above the ground floor façade.
The primary feature of the second story is the three
semi-circular windows. Each window is highlighted with a curved,
raised, decorated panel with a keystone across the top. A line of
stonework running horizontally through the middle of the second story
contains a split date brickwork. Finials are located at the extremities
of the roof line which is composed of projecting eaves supported by
ornate brackets and highlighted with a decorated frieze work. Raised
brickwork set in a decorative semi-circular pattern above each window
connect to the bases of the eaves brackets which are of alternating
lengths.
This building is particularly noteworthy in that it
is one of a very few located in the core area that retains the original
façade.
Editors
Note
On August 10/04 this building and 2 others sustained a devastating
fire.
At present this building's future is sketchy. Please join with Petrolia
Heritage as we frustratingly await what the future has in store for
this section of our downtown and our hopes for renewal and all the
best to the Grandis family and the other owners.
Further note:
The original building has been sold, however the Grandis's have rebuilt
next door and created (in their usual fine style) a rejuvenated facade
and a very posh jewellery store as before.
|

419
King Street (Nemo
Hall)
Reasons
for designation
(June 28, 1976)
Historical
reasons:
Nemo
Hall, built
ca.1878 by John J.Kerr, a prominent builder, lumber mill owner and oil
man. The home is an excellent example of the Second Empire Style, and
the
only remaining building of this architectural type in Petrolia. The
original
property was three acres in size, and included the house, a coach
house,
an orchard, exotic gardens, and five oil wells. Fuel from the wells
heated
the home, making it highly energy efficient for its time. Insulation
was
provided with three layers of brick, with air spaces between each
layer,
in the exterior walls.
Nemo
Hall has
three floors, twenty rooms, and five fireplaces. The front room white
marble
fireplace won first prize at the Chicago World’s Fair in 1893. Enormous
mirrors, 2 x 3 meters in size, trimmed in beautiful wood, grace a wall
in each of the living room and den. Local carpenter, Tom Bicknell did
all
of the woodwork throughout the three-story home. The fountain and the
coach
light on the front lawn are original to the home.
Architectural
reasons:
The
bell cast
mansard roof, crest tiling, chimney dormers, and semi elliptical window
openings best illustrate the Second Empire styling and design. The
home's
interior displays beautiful oak woodwork, high ceilings, and floor to
ceiling
windows and ornate double doors with acid etched glass in the
entrance.
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421
Warren Ave.
(Present owner- Glenn Bicknell)
Reasons
for Proposed
Designation (March 25, 1996)
Historical
reasons:
The
original
owner, Thomas Bicknell, built 421 Warren Ave. in 1893. Mr.
Bicknell,
a noted artist of the time, constructed many artifacts such as doors,
cabinets,
etc., for the locals. Thomas’ son Fred was born at 421 Warren
Ave.
Fred was also a local artist; he made musical instruments such as
violins
and base violins. As well, he played in the Sarnia Port Huron
Symphony.
His business was that of a painter and wallpaper hanger. 421
Warren
is now owned by Fred's son, Glenn, a third generation Bicknell.
Architectural
reasons:
421
Warren Ave.
is a typical Gothic Revival Victorian home. This two-story house
proudly displays a gable facing north and east adorned with decorative
gingerbread. A small decorative porch enclosure leads to the
front
entrance. The front door, built by Thomas Bicknell, is a viewing
pleasure with its beautiful fan shaped detail. Front and side
first
floor windows are graced with small square stained glass pieces,
typical
of the era.
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Baines Machine Shop
Bill
Baines immigrated
from England and worked for Jake Inglehart. Bill and
son
Albert jr.
decided to start a machine shop after learning the trade at
Stevenson
Boiler
Works on Center St. Baines today is unchanged from its
beginnings
in
1914 and is one of the few remaining machine shops utilizing the
old
methods and
Machinery of the ca.1800s. There are huge lathes and milling
machines
driven
by huge flat belts overhead and the old oil well parts and equipment
are
still worked the way they were during the boom days of the ca.1860s and
70s. The Baines Machine Shop is a living and working museum that is
still
viable today.
Steve
Loxton's site. for more on Baines
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Here
is the Petrolia
Cenotaph in Victoria Park . It has been
designated. The granite soldier
was designed by Toronto sculptor, Emmanuel Hahn. It has symbolic
details
such as the cross the figure holds, the flag draped behind him and the
poppies and chain at his feet. The names of 88 area men are inscribed
on
the monument.
.
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Green
Gables 4121
Lorne Ave. (present owners Ken and Darlene Melton)
Reasons
for designation
(February 13, 1984)
Historical
reasons:
The site
was
part of the property holdings of J.J. Kerr who sold it to Thomas Kelly
on April 9, 1881. Thomas Kelly built the house in 1887 based on plans
by
the architect Isaac Erb. The date 1887, as well as the name of the
craftsman,
J. Whitehead, was found inscribed on the back of a piece of wood trim
within
the house. The architect, Isaac Erb, was an important local figure,
whose
other buildings include St. Paul's United Church and The Oddfellows’
Hall.
In 1890
it became
the property of the Methodist Church, and remained so until 1898.
Subsequently,
it was owned by Amelia Riggin until 1909, and later by Emelyn Shaunessy
until 1920. In 1920 it became the property of John Charles Reid. In
1928,
Donald W. Duncan, a prominent dentist, who gave it the name “Green
Gables”,
purchased it. In 1945 it became the home of John and Carrie Morrison.
The
present owners purchased Green Gables in 1974.
Architectural
reasons:
Green
Gables
is an excellent example of late Victorian architecture. It is one of
the
very few houses in Petrolia that was designed by an architect, and its
details demonstrate the variety and complexity of architectural
features
to be found in Victorian structures. The façade illustrates the
use of high-shingled gables, shelf window entablatures, and decorative
cornice and frieze. Classical columns incorporated in a frontal porch
with
a picket rail support the front sloping roof. A fine stained glass
window
faces north. On the east side, a cross gable projects outward, which
accentuates
the vertical height of the building. The exterior of Green Gables is
covered
in white and green rounded clapboard.
All
of these pics and more are from my own collection and from our
contributors.
If you would like to become a contributor, I just need a few minutes to
scan what you have or send me your own scans.
Email
Martin at martyd@ebtech.net
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