Heritage Designated Properties




This is the plaque that goes on the front of your building when you designate


An interesting item that appeared in the Petrolia Topic about Heritage Designation to present the facts & an Editorial by David Pattenaude of the Petrolia Topic.
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What  about the issue of designating against an owners will. Sometimes to protect a significant  structure or artefact from demolition drastic measures are required. Some citizens say that this should not be done and others aggressively ask us what are we going to do to protect that building? What do we do? What Cathedral in Europe would you rip down? Should we demolish Stonehenge? Should the Italians rip down the Coliseum? What about the Parliament Buildings in Ottawa? Each City  and town has  buildings and artefacts equally significant to them and designation to protect these  monuments is bigger and more important than any owner of them.
Here are some links to similar situations
http://www.udiontario.com/issupd/upd050422b.htm
http://www.northronces.com/northroncesblog/?m=200606
http://ontarioheritageconnection.org/live/main.php?page=news.200709_e.html
http://www.cobourg.ca/lacac/designation.html
http://sookesoapbox.com/viewtopic.php?f=3&t=14
http://lfpress.ca/cgi-bin/publish.cgi?x=articles&p=197395&s=politics
http://www.yukoncollege.yk.ca/~agraham/papers/hrbpaper.htm


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COME TO THE LEVEE AT VICTORIA HALL
JANUARY 1st 2008 1PM Till 3PM
Displays and refreshments
Once again the Levee was a complete success

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               The POSTCARD SHOW AT PETROLIA LIBRARY
SATURDAY JULY 28 1-5pm was a complete and utter success !
               Many people came to look at and hold the thousands of Petrolia and area postcards.
There was a steady crowd all afternoon.The Burrwell, Bradshaw, Privett, Maitland, Park and many other collections were on display. Thank you so much to everyone that displayed their collections and to those who came to look.


Counciler Mary Pat Gleeson looking at some of the Burrwell collection



James Maitland leafs through the Privett collection


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 Your Editor was recently presented the Ontario Heritage Award at Town Council by the Mayor , Council & Heritage committee. Since the award is for the work done on this website the award has been posted here for all to see. Congratulations PH.com.from left the amazing Jean Bradshaw, councilor Liz Welsh, Your editor, Mayor John McCharles

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These are some of our Heritage Designated properties. More of these will appear in time.



VICTORIA HALL
Victoria Hall, Petrolia, is a national historic site, a provincially designated heritage building and a cultural center for Lambton County.  In January, 1989, on the even of its centenary, Victoria Hall was tragically gutted by fire leaving only its massive brick walls intact.
As a late 19th century public building, Victoria Hall is a very fine example of the Queen Anne style,designed by its leading Canadian exponent, architect George F. Durand.  Durand, who was born in nearby London in 1850, came from a family of builders and had worked as a young architect on both the Parliament Buildings in Ottawa and the New York State Capital buildings.  The building  which Durand created as Petrolia’s Town Hall, exhibits a lightness of touch in the detailing and ornamentation.  The added exuberance of Durand’s design for Victoria Hall, Petrolia, was perhaps inspired by the challenge of combining in one building,  not only the municipal offices, but also the police station and the fire hall.  The entire second floor was given over to an opera house.
While Victoria Hall is important architecturally on both a regional and national scales, its designation as a national historic site was made for reasons other than the merits of its architectural style.  Victoria Hall represents the culmination of three decades of achievement in Canada's early industrial development.


4189 Petrolia Street (The Old Post Office)
Reasons for Designation (March 10, 1997)

Historical Reasons:
Constructed during a period of expansion and growth in the community of Petrolia, this structure was built under a Federal commission awarded to the architect, Thomas Fuller of London, Ontario from a design he had submitted. As a result of being awarded this government contract, a number of similar structures built during this same period can be found in towns throughout southwestern Ontario.

Original design called for the Post Office and Offices of the Inland Revenue and Customs on the main floor, the residence of the Postmaster on the second, and the residence of the caretaker above that on the third. An annex on the south side of the building housed an examining warehouse for Customs purposes and for the collection of Provincial and Federal taxes. In later years the second story was converted to office space and only the caretaker continued to live on the premises. Following World War One, one of the small back rooms was taken over and used as a “Militia Room”. The Petrolia Legion also used space in this building until moving to its new facilities on King Street.

The structure served as Petrolia’s Post Office from 1894 to 1964 at which time new facilities were built and the Post Office operations were relocated. The contract for construction of the old Post Office was signed under the direction of the Department of Public Works in January of 1892 and the premises became functional in the spring of 1894. Joshua Garrett of Petrolia was the principal contractor. From 1964 to the present a number of commercial establishments have operated on the premises.

Architectural Reasons: 
This structure was built to reflect a “Romanesque” style of architecture. It is one that is uniquely North American, and made popular by the American architect, H.H.Richardson. One of the prominent features of this style is the bold use of masonry and what has been termed the “Romanesque Arch” (round headed arches over doors and windows). The use of rough cut stone and red brick were popular building materials used in this style of construction as well as the use of smooth, wide brackets under the eaves. Buildings constructed in this manner projected a sense of heaviness and solidity, and the old Petrolia Post Office is an excellent example of this style. Romanesque remained popular until the late 1800’s when it eventually merged with other architectural styles of the late Victorian period.
 



4211-4213 Petrolia Street (McKay Block)
Present owners-Horst Richter

Reasons for designation (August 14, 1989)

Historical reasons:
Built in 1887, the McKay Block was one of the many structures erected at this period in time in the aftermath of a fire, which had destroyed a considerable portion of the area.   Donald McKay purchased the site in July of 1887, and the building constructed at a cost of $3500.00. It remained in the McKay family until 1905, at which time it was sold to James Peat, a local oil operator.

In 1962 it became the property of Howard and Laura Spies. Establishments have included the Oliver Brothers, who were house, sign, and carriage painters in the ca.1890s, D.G. Cuthbertson and Co. chemists and druggists, and furniture outlets, such as Howards and Capri. Present owners, Vince and Ariel Lyons, operate Bear Creek Studios from the premises. An interesting feature, from a historical point of view, is the graffiti located in rooms beneath the stairways on the main floor. Hundreds of individuals over the years have left their names, dates, and places of origin. They span a period of time from the date of construction, 1887, to the present, and mention localities such as Allegheny, Pennsylvania, and Cuyahoga Falls, Ohio, are identified.

Architectural reasons:
Row, related and Italian ate in design, the McKay Block is of two-story stretcher bond construction. Minor alterations at street level to the door and window areas have been made, but the intent of the original image has been maintained. The façade on the second story is original and apparently untouched. This includes recessed panels, decorative brick and pediment, and a gabled parapet with date stone. The main windows in this area are arch radiating voussoirs with keystones. 


359 Garfield Ave. – The Farm House
Present owners – Gordon and Bonnie Parsons

Reasons for designation – April 27, 1992

Historical reasons
Robert C. Marwick purchased the property from Frank Smith, in 1888.  Robert, a local machinist, and his wife Catherine, constructed 359 Garfield in 1890, as rumor goes, from two houses from the Pitthole – a group of houses from the Blind Line at the bridge. This is probably true, as the main part of the house has clapboard siding 4” wide, while the porch side has 5” siding, thus indicating two separate dwellings.

In 1902, Mr. Marwick sold the house to Catherine for $1.00, with love, and subsequently passed away. In 1911, she married Tom Tomlinson. The property changed hands several times. In 1922, Rev. Peter McEachern and his wife, Ada, purchased the property. In 1935, he sold it to Ada for $1.00, prior to his passing.  Rev. McEachern and Ada had a son, Malcolm, who was handicapped. It is presumed, that when his mother passed away in 1950, Malcolm was sent to an institution in Hamilton, where he lived until he passed away in 1989.

In 1950, Ed Fletcher purchased the property after Ada’s passing. The house remained empty for some time. Evidence of squirrel occupancy during this time may still be seen to this day. In 1951, William G. and Gladys Parsons purchased the property. They are now deceased and were the parents of the present owners, Gordon and Bonnie Parsons. 

Architectural reasons:
359 Garfield Avenue is an example of Victorian Gothic Revival, typical in the area, with a two-story high gable roof with decorative barge board. Classical columns support a full open verandah and the cornice box is frieze decorated. The bay window and vestibule feature cornices with frieze and brackets. Another feature is the restored cedar shingle roof with finial. The exterior features the original V-joint tongue and groove wood siding. 



4343 Petrolia Street (East End Fire Hall)
Present owner-Jeff Ditmars

Reasons for Designation (June 9th, 1975)

Historical/Architectural reasons:
The East End Fire Hall is the oldest brick structure in the East End of Petrolia. It was built in 1889 during the early days of the oil boom, and was also known as the “Old Boy’s Fire Hall”.  The fire hall has been designated under the Heritage Act by the province of Ontario. The building can boast a colorful history as one of the towns three local fire companies in the 1880’s. During this time the three fire halls battled to extinguish the local blazes. The first company to reach the fire was paid one dollar regardless of whether the fire was put out or not. On many occasions the firemen would duke it out on the street while the fire burned itself out.

The East End Fire Hall closed as an active fire hall around 1920 and in 1950 was purchased by Robert Fairbank to be converted into apartments. It was later resold to Sarnia developers in the 1960’s who planned to demolish the fire hall. Three years later, the Sarnia owners were faced with an ultimatum from the town of Petrolia, clean up or sell.  Later it became a private residence while the exterior has been maintained almost exactly the way it was in 1889. The building is an excellent example of late 19th Century functional architecture. 

 


 
 



4230 Petrolia Street  (International Order of Oddfellows Friendship Lodge #65 – The Oddfellows’ Hall)

Reasons for designation: February 13, 1984)

Historical reasons:
The site originally included frame buildings and one of them was leased to the I.O.O.F. #65, beginning in 1881. By 1888 the I.O.O.F. decided to construct a three-story hall and store on the site, and on July 20th contracts were signed with various tradesmen for the present building.  By the end of 1888, the Oddfellows’ Hall was completed, and the formal dedication took place on January 28, 1889, with the Rev. N.H. Martin P.G.M., Grand Lodge of Ontario officiating. The Oddfellows’ Hall has continued to operate in the town of Petrolia, and its activities are a chronicle of the events of the community and its members have played a significant role in social and economic growth of the town for over 100 years.

Architectural reasons:
The Oddfellows’ Hall is an example of Italianate Commercial style, which was very popular for main streets during Victorian times. The dominant cornice and round headed windows are typical features of that style. The architect, Isaac Erb, had added details that appear in other buildings of this design. These include the decorative classical pediment over the west doors and the use of the cast iron columns, again, of classical motif. Repeating the floral pattern in the keystones and using the recessed entry with large expanses of glass to create display space and shelter achieved harmony with other main street buildings. The colored glass of the upper story windows is a very attractive feature. The two story interior hall is also impressive. The Oddfellows’ Hall is an important local example of the work of Isaac Erb, and a tribute to the craftsmen of Petrolia in the nineteenth century.

 



4200 Petrolia Street - Petrolia Public Library

Reasons for designation (April 30, 1975)

Historical reasons:
The Grand Trunk Railway constructed the depot after the town built the railway. On January 23, 1923 the Grand Trunk railway amalgamated with the Canadian National Railway. The station continued to be used as a depot until railway services were discontinued in 1930. For the next seven years the depot served as a civic centre, playing hostess to dances, socials, and town meetings. The station's transformation into a library is probably the first example of railway station being preserved for an appropriate use. The C.N.R. agreed to lease the building to the town of Petrolia for an annual fee of $125.00.

On September 18, 1961, the C.N.R. sold the property to the town for $1.00. March 15, 1937 marked the opening of the new Petrolia Library.  The Lions Club sold 300 – 400 memberships for one dollar each in its first two weeks of operation. Before its establishment in the railway station, the library had a variety of homes. Churches provided library facilities for their Sunday school children. Other townspeople formed literary societies and reading groups to satisfy their literary needs. The Hospital Guild members donated books and set-up a distribution center in 1927. Books were housed in the Union Gas office, a candy store, and later, at Mrs. Sterne’s flower shop, until their relocation to the railway station.

Today, the library stands as a monument to the extravagance and pretentiousness of the oil boom era, while providing an excellent center for children's programs, art classes, reading and research facilities for the people of Petrolia and area. 

Architectural reasons:
The Petrolia Public Library distinguishes itself as one of the most superb examples of early railway architecture. Its styling reflects the eclectic Queen Anne features which were popular during its time of construction in 1903. The structure boasts two turret rooms, the west end turret housing a ladies’ waiting room, and the east end turret a gentlemen's waiting room. They were furnished with dark leather upholstered seats that followed the curve of the walls. The rooms were originally gas lighted, but were later replaced with electric light fixtures, which still illuminate the turret rooms. The beveled glass windows, pine floorboards, and slate roof are still architectural facets of the former railway station. 
 

 



4058 Petrolia Street
Present owners Jim and Brenda Gerber 

Reasons for Designation (Sept. 9, 1991)

Historical reasons:
Built in 1893, the property was owned by Patrick and Margaret Barclay. Patrick was Petrolia’s first postmaster, who originally built and lived in the old post office in the east end of Petrolia. Barclay was one of the four men who gave Petrolia its name in 1861. In 1893 the property was sold to Victoria and Alexandrina Clark, who only a few months later sold it to John McAlpine, an oil operator.

It stayed in the McAlpine family until 1925, when it was sold to John H. Fairbank, the eldest of four brothers. On John’s death the estate was eventually sold to Maurice and Ida Fisher in 1944. In 1958, the Fishers sold it to John and Isabella McLeod, who in turn, sold it to Glen Francis later the same year, and finally to James and Valerie Cassin in 1960. James Cassin occupied the house for twenty-seven years, and sold it in 1987 to John and Rebecca MacLachlan. 

Architectural reasons:
4058 Petrolia Street is a three story Victorian home, constructed of red pressed brick, which is rare in this area. The home has Italianate influences. The south façade features a low gable with wide returned eaves, which are decorated with a wooden frieze and detailed brackets. Originally, a beautifully ornate porch enhanced the façade of this home. A transom of colored glass graces the front entrance. The home has flat windows and  flat roofed bay windows on the east and west side.

 



2 early pics of this house
4074 Petrolia St. (Present owners- Mr. & Mrs. Peter Davey)

Reasons for designation (March 25, 1985)

Historical reasons:
Samuel Stokes was born in Sarnia in 1848.  He settled in Petrolia in 1866, the year it achieved village status. The “boy boss” of a construction crew, built underground tanks for the fledgling oil industry, and later, established himself as a contractor for a new company, which would become Canada’s largest oil corporation, Imperial Oil.  He became an oil operator, and invested in the Wagon Works Plant, and the Pork Packing Plant.  In 1891, he worked on the construction of the St.Clair Tunnel.

At various times, Samuel Stokes was a town councilor, a deputy reeve, a county councilor and school trustee. His wife, Margaret, was also active in community service, and the local chapter of the IODE was named after her. One of his children, John, went to California as an oil driller.  The history and growth of the Stokes family paralleled the development of the town.

Architectural reasons:
Samuel Stokes had the house constructed in 1883.  It illustrates many of the architectural features of the period.  A steeply pitched roof, gables decorated with intricate barge board, verandahs crested in iron, and a front gable dormer with “gothic window” are particularly noteworthy.  The yellow brick exterior is of “stretcher bond” design, and two chimneys include decorative brick details.  Tall narrow windows and slender ionic style columns emphasize the vertical proportions of the Gothic Revival. This house is one of very few brick examples of this once very popular architectural style.

 


 
 



429 Ella Street  LANCEY HALL
( owners-Martin and Dorothy Dillon)

Reasons for designation (February 13, 1984)

Historical Reasons:
The Ella street property was developed and surveyed by Henry Warren Lancey, who named the street after his daughter.  Mr. Lancey was a prominent surveyor, builder and entrepreneur who played an important role in the history of Petrolia. The original occupant was Lemuel Cole, an important oil operator who lived in the house from 1876 until 1880.

After a short period of ownership by Elisah H. Pinery, a local merchant, from 1880 until 1882, it was sold to Robert Morris, a respected banker, whose family lived in the house until 1905. Between 1905 and 1940 it was the property of Albert Jones, an Ontario land surveyor. During the Second World War, it became the home of Clara Fairbank Ranney, widow of the distinguished Dr. Charles Oliver Fairbank. In 1948 Adam Paton Robertson, manager of Detroit Gasket, purchased it. For over one hundred twenty years, 429 Ella Street has occupied its site overlooking Crescent Park.

Architectural Reasons:
429 Ella Street is an excellent example of Victorian Gothic Revival, a style that was most popular in Canada in the period 1850 to 1870. It has retained its original wood façade (east, front view). The decorative details include intricate barge boards, a sharply pitched roof with finials and pendants at the peaks, and an exceptionally fine glassed verandah/conservatory with ogee patterned panes. The façade also features a bay with paired brackets and iron cresting. Its architectural details add interest to its streetscape and contribute to the visual attractiveness of Crescent Park.
 
 

 



4172-4174 Petrolia Street
Present owners- Ron and Diana Racher

Reasons for designation (August 23, 1993)

Historical reasons:
This site was part of the entire block of buildings constructed for Andre Elliott, a court clerk. Along with two other local businessmen, J.M. Williams and W.E. Sanborn, they formed the Black Creek Plank Road Company in 1861. Crude oil had to be transported from Oil Springs, then known as Black Creek or Victoria, to the railhead at Wyoming, over an eleven mile stretch of mud called the canal, a ditch 18 inches below grade and five feet wide. Above it ran the Black Creek Road, a muddy forest trail that 73 years later became Highway #21. This road was impassable after the mildest rain. In dry weather the mud dried to a tangle of ruts so unyielding that stages and wagons were wrenched apart. Obviously the survival of the oil industry required an all weather road from Oil Springs to the Wyoming railhead. By late 1862, the Black Creek Plank Road Company graveled the road three miles south of Wyoming, with the balance planked by early 1863. Today this building is a Craft Store.

Architectural reasons:
Constructed in 1866, the building is two stories tall and of red brick construction. Its main feature is an ornate three sided bay window on the second floor. The building has Italianate influences, as seen in the arched windows. Two groups of three windows flank the bay window. The center window of each of these groups has stained glass over two clear lights. Metal cladding covers the entire façade to imitate wood ornamentation, moldings, cornices, and windowsills. The cornices are mounted atop columns of brick with stone sections. The recessed center doorway is flanked with brick columns that also have stone sections. Heavy metal clad brackets adorn these columns and form the support for the bay window. Stone sills stretch across and under each of the window groups on the second floor.
 
 



Jake L. Englehart .....................................................................................................................



Charlotte Eleanor Englehart Hospital Board Room, 447 Greenfield St.

Reasons for proposed designation (Aug. 11, 1980)

Historical reasons:
Jacob L. Englehart, one of Imperial Oil’s founding fathers was an important figure in the economic and social history of both the Town of Petrolia and the Province of Ontario.   He built a spectacular home for his wife, Charlotte, as a wedding gift, in 1891. The home became known as “Glenview”.  It featured a large circular turret, and extensive gardens.  Glenview showcased a nine hole golf course, a conservatory, and separate brick servants quarters.

When Charlotte died in 1911, she bequeathed Glenview to the residents of Petrolia, to be used as a hospital upon Jacob’s death.  Jacob Englehart decided to vacate the home immediately, and donated the funds necessary to finance the operation of a new hospital.  Over the years renovations and additions have insured a more functional facility for Petrolians.  The boardroom, the former study, has remained intact as a tribute to Jacob Englehart.

Architectural reasons:
Included in this designation are the oak woodwork, door, wainscoting, paneling, moldings, arches, bookshelves, the cast iron fireplace, porcelain tiled hearth, and stained glass piece over the fireplace, stained glass fire screen, the lincrusta frieze around the ceiling, and the bronze plaques over the door.
 
 
 
 

 




NEMO HALL
Below is a detail of a gargoyle that Jack has mounted on the roof.







These are three great views of Nemo Hall. Notice the fence below  which is gone now. Also here is John J. Kerr the man that built Nemo Hall.
The pic above shows Nemo Hall today and highlights the gas lamp on the 
front lawn.



GRANDIS JEWELERS
Reasons for Designation
The site itself located at 4224 Petrolia Line was purchased in 1879 by Jared C.VanCamp and the present structure erected in 1881. VanCamp was described as being an undertaker, cabinet builder and furniture builder. He forged a close association with the London Furniture Company and the premises served as an outlet for that firm until ca.1901 at which time it was sold to Martha McGillivray. In the ca.1940s it was the site of Frasers Variety Store, a popular local outlet for groceries, fruits, smallwares and dresses. More recently it was occupied by Grant’s TV. At present, the current owner, Reginald Grandis has undertaken an extensive restoration and has opened the family’s well-established jewellery business.
There is a local story that states that this was the site of a nitro glycerine explosion in its early history. As the story goes, a tenant in the second story was attempting to manufacture the volatile substance when it exploded and did considerable damage to the back of the building. No evidence could be found to substantiate this story but in the course of restoration work recently, badly charred timbers were found at the rear of the structure, indicating a major fire at some point.
The Orange Lodge was located on the premises for a number of years and as a result the structure itself has become known locally as the Orange Hall.
Architectural Reasons
Architecturally this structure is very typical of the period. Its grouping is row, non related intermediate and its construction is two stories, rectangular with a short façade. Brick, laid in a stretcher pattern is highlighted with decorative work, which gives an overall pleasing appearance to the structure.
A pattern entablature runs the length of the building between the first and second floors and is supported by decorative concrete pillars at each end. Decorated iron columns, also found in a number of Petrolia’s other commercial structures, flank a recessed double door entry to the building and provide additional support for the entablature running above. Two full-length windows framed by four columns mentioned above the ground floor façade.
The primary feature of the second story is the three semi-circular windows. Each window is highlighted with a curved, raised, decorated panel with a keystone across the top. A line of stonework running horizontally through the middle of the second story contains a split date brickwork. Finials are located at the extremities of the roof line which is composed of projecting eaves supported by ornate brackets and highlighted with a decorated frieze work. Raised brickwork set in a decorative semi-circular pattern above each window connect to the bases of the eaves brackets which are of alternating lengths.
This building is particularly noteworthy in that it is one of a very few located in the core area that retains the original façade.

Editors Note
On August 10/04 this building and 2 others sustained a devastating fire. At present this building's future is sketchy. Please join with Petrolia Heritage as we frustratingly await what the future has in store for this section of our downtown and our hopes for renewal and all the best to the Grandis family and the other owners. 
Further note:
The original building has been sold, however the Grandis's have rebuilt next door and created (in their usual fine style) a rejuvenated facade and a very posh jewellery store as before.





















419 King Street (Nemo Hall)

Reasons for designation (June 28, 1976)

Historical reasons:
Nemo Hall, built  ca.1878 by John J.Kerr, a prominent builder, lumber mill owner and oil man. The home is an excellent example of the Second Empire Style, and the only remaining building of this architectural type in Petrolia. The original property was three acres in size, and included the house, a coach house, an orchard, exotic gardens, and five oil wells. Fuel from the wells heated the home, making it highly energy efficient for its time. Insulation was provided with three layers of brick, with air spaces between each layer, in the exterior walls.

Nemo Hall has three floors, twenty rooms, and five fireplaces. The front room white marble fireplace won first prize at the Chicago World’s Fair in 1893. Enormous mirrors, 2 x 3 meters in size, trimmed in beautiful wood, grace a wall in each of the living room and den. Local carpenter, Tom Bicknell did all of the woodwork throughout the three-story home. The fountain and the coach light on the front lawn are original to the home.

Architectural reasons:
The bell cast mansard roof, crest tiling, chimney dormers, and semi elliptical window openings best illustrate the Second Empire styling and design. The home's interior displays beautiful oak woodwork, high ceilings, and floor to ceiling windows and ornate double doors with acid etched glass in the entrance. 
 

 



421 Warren Ave. (Present owner- Glenn Bicknell)

Reasons for Proposed Designation (March 25, 1996)

Historical reasons:
The original owner, Thomas Bicknell, built 421 Warren Ave. in 1893.  Mr. Bicknell, a noted artist of the time, constructed many artifacts such as doors, cabinets, etc., for the locals.  Thomas’ son Fred was born at 421 Warren Ave.  Fred was also a local artist; he made musical instruments such as violins and base violins.  As well, he played in the Sarnia Port Huron Symphony.  His business was that of a painter and wallpaper hanger.  421 Warren is now owned by Fred's son, Glenn, a third generation Bicknell.

Architectural reasons:
421 Warren Ave. is a typical Gothic Revival Victorian home.  This two-story house proudly displays a gable facing north and east adorned with decorative gingerbread.  A small decorative porch enclosure leads to the front entrance.  The front door, built by Thomas Bicknell, is a viewing pleasure with its beautiful fan shaped detail.  Front and side first floor windows are graced with small square stained glass pieces, typical of the era.
 
 
 
 
 
 
 
 
 
 
 
 

 



       Baines Machine Shop
Bill Baines immigrated from England and worked for Jake Inglehart. Bill and 
son Albert jr. decided to start a machine shop after learning the trade at
Stevenson Boiler Works on Center St. Baines today is unchanged from its 
beginnings in 1914 and is one of the few remaining machine shops utilizing the 
old methods and Machinery of the ca.1800s. There are huge lathes and milling
machines driven by huge flat belts overhead and the old oil well parts and equipment are still worked the way they were during the boom days of the ca.1860s and 70s. The Baines Machine Shop is a living and working museum that is still viable today.
Steve Loxton's site. for more on Baines


Here is the Petrolia Cenotaph in Victoria Park . It has been designated. The granite soldier was designed by Toronto sculptor, Emmanuel Hahn. It has symbolic details such as the cross the figure holds, the flag draped behind him and the poppies and chain at his feet. The names of 88 area men are inscribed on the monument. 
 
 
 

.


Green Gables 4121 Lorne Ave. (present owners Ken and Darlene Melton)

Reasons for designation (February 13, 1984)

Historical reasons:
The site was part of the property holdings of J.J. Kerr who sold it to Thomas Kelly on April 9, 1881. Thomas Kelly built the house in 1887 based on plans by the architect Isaac Erb. The date 1887, as well as the name of the craftsman, J. Whitehead, was found inscribed on the back of a piece of wood trim within the house. The architect, Isaac Erb, was an important local figure, whose other buildings include St. Paul's United Church and The Oddfellows’ Hall.

In 1890 it became the property of the Methodist Church, and remained so until 1898. Subsequently, it was owned by Amelia Riggin until 1909, and later by Emelyn Shaunessy until 1920. In 1920 it became the property of John Charles Reid. In 1928, Donald W. Duncan, a prominent dentist, who gave it the name “Green Gables”, purchased it. In 1945 it became the home of John and Carrie Morrison. The present owners purchased Green Gables in 1974.

Architectural reasons:
Green Gables is an excellent example of late Victorian architecture. It is one of the very few houses in Petrolia that was designed by an architect, and its details demonstrate the variety and complexity of architectural features to be found in Victorian structures. The façade illustrates the use of high-shingled gables, shelf window entablatures, and decorative cornice and frieze. Classical columns incorporated in a frontal porch with a picket rail support the front sloping roof. A fine stained glass window faces north. On the east side, a cross gable projects outward, which accentuates the vertical height of the building. The exterior of Green Gables is covered in white and green rounded clapboard.
 


 All of these pics and more are from my own collection and from our contributors. If you would like to become a contributor, I just need a few minutes to scan what you have or send me your own scans.
Email Martin at martyd@ebtech.net